Aug 18,19,20 tickets

Monthly Archives: February 2013

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Summerfolk is For Kids … Too

By David Newland

Ask what “folk” means as a musical genre, and the conversation could go on for weeks. One thing we can all agree on is that the “folk” in “folk festival” means people. At Summerfolk, that includes little people — in a big way. Kids, in fact, are in many ways at the heart of the festival.

I’ll be honest: I never thought a lot about the family-friendly aspect of folk festivals when I first started attending them. Why would I have? I was a teenager at the time. If anything, I was there to get away from my family! Even when I started to play festivals and to help organize them, my main thought was for the main stage.

It took becoming a parent myself to help me realize that not only are festivals great for kids — kids are also great for festivals. The past few years at Summerfolk have shown me just how vital the family experience is to the whole feeling of the festival itself.

Any performer with family -– indeed any festival patron with family -– will tell you that the whole experience changes with kids in the picture. The late nights are gone, replaced with early mornings. Camping is no longer just a matter of crashing in a tent; it’s all about logistics and meal planning and such. The main stage in the evening may or may not be doable– and by and large, the beer tent fades a bit as little ones come into the picture — an adjustment, to be sure.

The good news, though, is that it’s not that hard of an adjustment to make at Summerfolk. In fact, having kids along makes the whole experience richer and more interesting in a number of ways –- for everyone!

little girl pink hat by stage Summerfolk 2015 Saturday August 22 2015 image by ©kerry JARVIS-38

Summerfolk lets young fans get close to the fun

Think of the site itself. An adult might see it as a place for both healthy and junk food and for shopping for that special piece in the artisan village. The adult may be looking for that opportunity to discover some lesser-known performers along with the well-known ones and have an opportunity to purchase a CD or two in the General Store.

From the child’s point of view, it’s a village –- a world unto itself, really, with its own rules and feelings and textures. At night, it looks magical with the special lighting in the trees, in the Amphitheatre and under the tents. To see a folk festival through a child’s eyes is also to see a small community that honours creativity, the arts, and the environment as if that were the most ordinary thing in the world. Plus, it’s just plain fun.

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The Children’s Village

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We have crafts for folkies young and old.

Like a village it has it’s pathways as well. This year the wildly popular Storywalk returns. The Storywalk is an initiative of the Owen Sound Public Library. Starting at the front gate and leading to the children’s area this year’s selection, The Man with the Violin, gives the children insight into the world of music and provides an interactive reading experience. The book is available at the retail store and last year’s selection sold out in a matter of hours.

Pages from last year's story walk

Pages from last year’s Storywalk

Summerfolk, in fact, is the kind of world many of us are hoping to help create for our kids. And even if you don’t have kids, or your kids have grown, seeing this temporary village operate the way it does—for the young, and the young at heart alike—is good for the soul.

Action speaks louder than words when it comes to understanding how important kids are to Summerfolk. In Children’s Area, there is a list of activities available –- making a beaded bracelet, making a costume for the parade, designing a mask, building your own drum as well as a spaghetti sensory workshop from 11 am to 2 pm each day. There is also the usual playdoh and face painting by professionals and more.

For peace of mind you can have have your children registered as you come through the main gate at the First Aid trailer on the right. No one wants to see a child lose sight of a parent but if this happens, the job of reconnecting you and your kids is is made easier.

There are some very cool workshops going on during the festival that kids and their parents won’t want to miss that include learning how to walk on stilts, juggling and spinning thanks to Lookup Theatre and Vita Twirlin’ Diva.

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Young stilt walkers from Look Up Theatre will animate the site all weekend

Consider the kids’ parade that snakes through the site on Sunday afternoon. Led by the Gypsy Kumbia Orchestra, they’ll be costumed, masked, and in full voice when they arrive at main stage! Banging and blowing and honking and marching like a combination of a mamba snake and a mambo line, the Summerfolk parade is like a Dr. Seuss Book come to life.

Like all of us at age 41, Summerfolk is enjoying its maturity, in part by passing on the excitement to the next generation. Sure, Down By the Bay is still one of the greatest beer tents anywhere, but if your late nights with the gang have turned to early mornings with the kids, there’s a lot worth waking up for. Elephant Thoughts Educational Outreach is bringing a dino dig — complete with a 25-foot dinosaur!

Folk, of course, means music too. Summerfolk’s kids’ performers are some of the very best — Magoo, for example. The legendary madcap songster with his winged helmet, roller skates, ukulele and sprawling wacky wardrobe is second only to Santa in the esteem of children across the folk scene.

Magoo is also famous for his fashion tips.

Magoo is also famous for his fashion tips.

Folk music often addresses the challenges of our times. Enter Ben Spencer with his Songs for Terrible Children. Born on the prairies, resident in Montreal, Ben’s clever satire tackles body image, diversity, bullying, and environmental concerns in a way that is both topical –- and hilarious.

Ben Spencer

Ben Spencer

Even the food is kid-friendly. Who doesn’t love the usual hamburgers, hotdogs, angel fries, pizza, lemonade, kettle corn, deep-fried mars bars, cotton candy and more to discover.

And the best part? Children under 12 accompanied by an adult get in FREE at Summerfolk. That’s a price anyone can afford, for an event everyone can enjoy. You won’t want to miss the 41st annual Summerfolk Music and Crafts Festival on August 19, 20, and 21st at Kelso Beach Park. There’s more info at summerfolk.org.

Natalie MacMaster and Bruce Cockburn

Natalie MacMaster and Bruce Cockburn at Summerfolk

By James Keelaghan

You have to understand that there was a full-tilt party going on. The performers’ bar was like a who’s who of Folk Music — Paul Brady, Mary Black, Maura O’Connell, Aly Bain and Garrison Keillor. The volume was indescribable. People were packed in shoulder to shoulder amidst the fug of cigarette smoke and the cracking of plastic pint glasses. Tables were placed in rough concentric circles around the bar.

She was sitting at a table in the outer-most ring, her eyes hidden beneath the peak of a ball cap. In front of her were some textbooks and notebooks. The seats across from her were empty. A guitar player in Lennie Gallant’s band, Chris Corrigan and I sat down opposite her.
“ What are you doing, Natalie ?” I asked.
“ Studying for my exams,” she replied.
“ What? Here?” I asked incredulously.
“ They’re not going to take themselves.”

I ran into Natalie MacMaster a lot that summer. She was riding high. She was getting main stage slots all across the country and in Europe as well. She was clearly on the edge of breaking big, of becoming the new Canadian fiddling icon, yet she was focused enough to keep up with her studies.

The summer after that, in 1996, she made her only appearance at Summerfolk. She’s been away too long and, after 20 years she’ll be returning to Summerfolk41. A lot has changed since that smoky bar in Denmark 21 years ago, but she has never lost her focus. She knows what she wants and is willing to do the hard work necessary to get it.

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Natalie MacMaster will play Sunday, August 21.

All that makes her sound rather serious, but she’s not. She has a great sense of humour and is as much fun as you would imagine someone who was raised in the kitchen party atmosphere of Cape Breton should be–as long as you catch her when she isn’t studying.

Consider this: Her uncle was the legendary Buddy MacMaster, her mother and father are both musicians, her cousin is Ashley MacIsaac and another cousin is renowned fiddler, Andrea Beaton. She comes by the music honestly — it’s an integral part of her. When you watch Natalie, you are not watching one person — you are watching generations of players who have all contributed to what she is now. She’s aware of that history, but she wears it easily.

The best thing about of Natalie MacMaster is that she measures success not by ticket sales or CD downloads. Success is time spent with her family, in hard work completed, and the power of music. Natalie is busy, amongst everything else, raising a family of five.

I grew up in a family a little larger than that. Not being blessed with infinite amounts of space, the way the kids were distributed about the house was a complex algorithm of age and gender. As boys, my brother and I were assigned bedrooms in the basement early on. Strange music would waft down from the bedrooms above and some of the tunes would stick. Going to the Country became the soundtrack of my twelfth summer — a tune I sang quietly while watching the prairies roll away through the back window of the Custom Suburban station wagon. So began my relationship with Bruce Cockburn. It’s been ongoing for over 40 years.

Bruce is the embodiment of the Canadian acoustic music scene for the past four decades. He’s never been content to plough one crop and, by turns in his life, he has been a solo acoustic player, an electric player, a bandleader and a social justice advocate. That is the secret to his longevity as a figure on the Canadian cultural scene — the ability to explore new sounds and new approaches to writing.

Bruce Cockburn will play on Saturday, August 20.

Bruce Cockburn will play on Saturday, August 20.

As a songwriter, there is no mistaking his style, sometimes as regular as any Tin Pan Alley pro, sometimes spilling out lyrics in an unrestrained flow where the words tug and push at the margins. As a guitar player, he has inspired a couple of generations of players. Learning to play Foxglove is a rite of passage for most young Canadian guitarists.

He’s not afraid of politics. We’re living in an era where there is pressure on live artists to leave politics out of the performance. Bruce retains a devotion to a folk singer’s responsibility to sing about issues. He has always done so. From songs like Gavin’s Woodpile or Going Down Slow– another station wagon favourite — to the debate-inducing If I Had a Rocket Launcher, he’s never been afraid to put his ethical heart on his sleeve.

Nor, has he left out the spirit. There is often a note of searching in his songs, a longing for the calm at the centre of the human experience.

Despite the fact that he has been part of my life for so long, to me he is still enigmatic. My memories of him backstage at festivals are from a distance, a solitary figure walking and deep in thought. He is soft-spoken and considered. In another age, he might have been a cloistered poet like Gerard Manley Hopkins.

We are especially happy to welcome Bruce Cockburn and Natalie MacMaster back to Summerfolk after too long an absence. Come on out and enjoy them, but don’t bug them if they are studying.

Bruce plays on Saturday, August 20 and Natalie on Sunday, August 21. You can get information and see schedules at summerfolk.org

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