Aug 18,19,20 tickets

Tag Archives: music

Georgian Bay Roots Episode 19 – The Mid-Winter Blues Show

Georgian Bay Roots

With your host Jon Farmer


jonfarmerEvery Sunday on CFOS 560 from 4-5pm, Georgian Bay Roots shares some of the best music that’s made in and played in Grey and Bruce Counties with roots music from across Canada and around the world thrown into the mix. Host, Jon Farmer, brings a musician’s ear and the heart of a fan to the airwaves with stories about performers and news about upcoming shows and releases. Tune in to hear some of your favourite acts and new bands that you didn’t know you loved.

This is the mid-winter blues episode with some classic blues, and a mix of Canadian and local blues to help you get through what can be a cold and dreary time of year. We’ve also got part of a conversation  with Ken Whiteley from Summerfolk last August

If you missed the live show, we will post the episode by 6pm ET.

You can download an iTunes podcast here

Are you making music that you want us to share?
Do you have gig coming up that you want to promote?
Are you interested in being a sponsor or advertising on the show?
Contact us at georgianbayroots@summerfolk.org

Georgian Bay Roots is presented by the Georgian Bay Folk Society with the support the Ontario Trillium Foundation


Ep 19 The Blues
Artist: The Duhks
Track: Lazy John
Album: Beyond the Blue
Length: 4:32
Release date: 2014
Canadian
Artist: Robert Johnson
Track: Cross Road Blues
Length: 2:40
Artist: Pharis and Jason Romero
Track: Truck Driver’s Blues
Length: 2:05
Canadian
Artist: Barrel Boys
Track: Housebound Blues
Length: 3:48
Canadian
Artist: Michael Jerome Browne
Track: Broke Down Engine
Length: 4:17
Canadian
Artist: The MacKenzie Blues Band
Track: Move On
Length: 3:58
Canadian
Artist: Ken Whiteley
Track: Freedom Blues
Length: 5:00
Canadian

Artist: Scarlett, Washington, and Whiteley
Track: A Little Street Where Old Friends Meet
Length: 3:47
Canadian
Artist: Jackie Washington
Track: I Ain’t Got You
Length: 2:15
Canadian
Artist: David Francey
Track: American Blues
Length: 3:50
Canadian
Artist: Rick Fines and Suzie Vinnick
Track: How’d You Know I Missed You
Length: 3:17
Canadian
Artist: 24th Street Wailers
Track: Unshakeable
Length: 4:02
Canadian
Artist: Molly Johnson
Track: Night Comes In
Length: 4:45
Canadian
Artist: 12 Below Zero
Track: Highway 21
Length: 4:00
Canadian

Archives

Visit our  iTunes podcast page for archived programs

Or stream them on Soundcloud here

Pages with set lists and further info can be found below.

GBR show 1

GBR show 2

GBR show 3

GBR show 4

GBR show 5

GBR show 6

GBR show 7

GBR show 8

GBR show 9

GBR show 10

GBR show 11

GBR show 12

GBR show 13

GBR show 14

GBR show 15

GBR show 16

GBR show 17

GBR show 18

Georgian Bay Roots Episode 18

Georgian Bay Roots

With your host Jon Farmer


jonfarmerEvery Sunday on CFOS 560 from 4-5pm, Georgian Bay Roots shares some of the best music that’s made in and played in Grey and Bruce Counties with roots music from across Canada and around the world thrown into the mix. Host, Jon Farmer, brings a musician’s ear and the heart of a fan to the airwaves with stories about performers and news about upcoming shows and releases. Tune in to hear some of your favourite acts and new bands that you didn’t know you loved.

This episode features old songs by the likes of the Irish Rovers and brand new tracks from young artists and your neighbours right here in Grey Bruce.

If you missed the live show, we will post the episode by 6pm ET.

You can download an iTunes podcast here

Are you making music that you want us to share?
Do you have gig coming up that you want to promote?
Are you interested in being a sponsor or advertising on the show?
Contact us at georgianbayroots@summerfolk.org

Georgian Bay Roots is presented by the Georgian Bay Folk Society with the support the Ontario Trillium Foundation

 

 

GBR 18
Artist: Irish Rovers
Track: Black Velvet Band
Length: 3:40
Canadian
Artist: K.D Lang
Track: After the Gold Rush
Album: Hymns of the 49th Parallel
Length: 4:00
Canadian
Artist: Laura Smith
Track: Gypsy Dream
Length: 4:54
Canadian
Artist: Rick Fielding
Track: Gin Mill Syncopators
Length: 4:38
Canadian
Artist: Swim Good
Track: Capital (ft Daniela Andrade)
Length: 2:30
Album: Out One Night
Canadian
Artist: Rayannah
Track: Tivoli
Length: 5:46
Album: Boxcar Lullabies
Canadian
Artist: Loyal Compass
Track: Berry Picking
Length: 3:15
Canadian
Artist: LUM
Track: Peter’s Bed
Length: 3:41
Album: Glass Hammer
Canadian
Artist: Aerialists
Track: Vals Efter Kristian Oskarsson
Length: 2:22
Canadian
Artist: Natalie MacMaster
Track: Catharsis
Length: 2:32
Canadian
Artist: Great Canadian Swamp Stompers
Track: Willie Day
Length: 2:54
Canadian
Artist: J.P Cormier
Track: Another Morning
Length: 3:50
Canadian

Artist: Chegano
Track: Up and Down
Length: 5:31
Canadian
Artist: Aerialists
Track: Deep Toque
Length: 4:31
Canadian

Archives

Visit our  iTunes podcast page for archived programs

Or stream them on Soundcloud here

Pages with set lists and further info can be found below.

GBR show 1

GBR show 2

GBR show 3

GBR show 4

GBR show 5

GBR show 6

GBR show 7

GBR show 8

GBR show 9

GBR show 10

GBR show 11

GBR show 12

GBR show 13

GBR show 14

GBR show 15

GBR show 16

GBR show 17

Georgian Bay Roots 11

Georgian Bay Roots

With your host Jon Farmer


jonfarmerEvery Sunday on CFOS 560 from 4-5pm, Georgian Bay Roots shares some of the best music that’s made in and played in Grey and Bruce Counties with roots music from across Canada and around the world thrown into the mix. Host, Jon Farmer, brings a musician’s ear and the heart of a fan to the airwaves with stories about performers and news about upcoming shows and releases. Tune in to hear some of your favourite acts and new bands that you didn’t know you loved.

If you missed the live show, we will post the episode by 6pm ET.

You can download an iTunes podcast here

Interested in being a sponsor or advertising on the show?  contact us at georgianbayroots@summerfolk.org

Georgian Bay Roots is presented by the Georgian Bay Folk Society with the support the Ontario Trillium Foundation

EP 11 11/20/2016
Artist: The Duhks
Track: Lazy John
Album: Beyond the Blue
Length: 30
Release date: 2014
Canadian
Artist: Matt AndeMatt Andersonrson
Track: Fired Up
Album: Coal Mining Blues
Length: 3:45
Release date: 2013
Canadian
Artist: Scott Nolan
Track: Fire Up
Album: SilverHill
Length: 4:41
Release date: 2016
Canadian
Artist: Jenn Grant
Track: Fireflies
Album: Echoes
Length: 4:01
Release date: 2009
Canadian
Artist: The Barrel Boys
Track: Something To Do With Fireflies
Album: Early On
Length: 3:05
Release date: 2014
Canadian
Artist: Sons of Perry
Track: Fireflies
Album: ?
Length: 2:55
Release date: ?
Canadian
Artist: Lemon Bucket Orkestra
Track: Tomu Kosa
Album: Cheeky
Length: 3:52
Release date: 2011
Canadian
Artist: Benjamin Dakota Rogers
Track: Whisky and Pine
Album: Whisky and Pine
Length: 4:49
Release date: 2016
Canadian
Artist: Tragedy Ann
Track: Velcro
Album: Stumbling
Length: 2:32
Release date: 2016
Canadian
Artist: Missy Bauman
Track: Her
Album: Her
Length: 3:39
Release date: 2016
Canadian
Artist: Irish Mythen
Track: How Do You Love
Album: Irish Mythen
Length: 3:59
Release date: 2014
Canadian
Artist: Leonard Cohen
Track: Tower of Song
Album: The Essential Leonard Cohen
Length: 5:37
Release date: 2002
Canadian
Artist: Jeff Buckley
Track: Hellelujah
Album: GRace
Length: 6:53
Release date: 2004
Artist: the Once
Track: Anthem
Album: The Once
Length: 5:18
Release date: ?
Canadian

Archives

Visit our  iTunes podcast page for archived programs

Or stream them on Soundcloud here

Pages with set lists and further info can be found below.

GBR show 1

GBR show 2

GBR show 3

GBR show 4

GBR show 5

GBR show 6

GBR show 7

GBR show 8

GBR show 9

GBR show 10

Georgian Bay Roots 10

Georgian Bay Roots

With your host Jon Farmer


jonfarmerEvery Sunday on CFOS 560 from 4-5pm, Georgian Bay Roots shares some of the best music that’s made in and played in Grey and Bruce Counties with roots music from across Canada and around the world thrown into the mix. Host, Jon Farmer, brings a musician’s ear and the heart of a fan to the airwaves with stories about performers and news about upcoming shows and releases. Tune in to hear some of your favourite acts and new bands that you didn’t know you loved.

If you missed the live show, we will post the episode by 6pm ET.

You can download an iTunes podcast here

Interested in being a sponsor or advertising on the show?  contact us at georgianbayroots@summerfolk.org

Georgian Bay Roots is presented by the Georgian Bay Folk Society with the support the Ontario Trillium Foundation


Ep 10 Nov 13 
Artist: The Duhks
Track: Lazy John
Album: Beyond the Blue
Length: 4:32
Release date: 2014
Canadian
Artist: The Carrot Sticks
Track: Many More Miles to Go
Album: ?
Length: 3:13
Release date: 2016
Canadian
Artist: Sweet Alibi
Track: Moving to the Country
Album: Walking in the Dark
Length: 3:24
Release date: 2016
Canadian
Artist: Qristina & Quinn Bachand
Track: What You Do With What You’ve Got
Album: Little Hinges
Length: 4:02
Release date: 2015
Canadian
Artist: John Muirhead
Track: Starz
Album: Yesterday’s Smile
Length: 3:19
Release date: 2016
Canadian
Artist: William Prince
Track: Bloom
Album: Earthly Days
Length: 3:55
Release date: 2015
Canadian
Artist: Aerialists
Track: Vals Efter Kristian Oskarsson
Album: Aerialists
Length: 2:22
Release date: 2016
Canadian
Artist: Jonathan Byrd
Track: I Was an Oak Tree
Album: Cackalack
Length: 2:47
Release date: 2010
Canadian
Artist: C.R Avery
Track: Rain Falls
Album: The Great Canadian Novel
Length: 3:07
Release date: ?
Canadian
Artist: Irish Mythen
Track: Four Walls
Album: Aerialists
Length: 3:46
Release date: 2015
Canadian
Artist: Tyler Wagler
Track: Rooster
Album: 4 Songs
Length: 2:22
Release date: 2014
Canadian
Artist: Abigail Lapell
Track: Sally
Album: Great Survivor
Length: 2:22
Release date: 2011
Canadian
Artist: Slocan Ramblers
Track: Pastures of Plenty / Honey Babe
Album: Coffee Creek
Length: 6:53
Release date: 2015
Canadian
Artist: Amanda Rheume
Track: Better Days Ahead
Album: Light of Another Day
Length: 4:49
Release date: 2011
Canadian
Artist: Drew McIvor
Track: 45’s and 33’s
Album: Porchlight
Length: 3:38
Release date: 2014
Canadian

Archives

Visit our  iTunes podcast page for archived programs

Or stream them on Soundcloud here

Pages with set lists and further info can be found below.

GBR show 1

GBR show 2

GBR show 3

GBR show 4

GBR show 5

GBR show 6

GBR show 7

GBR show 8

GBR show 9

Natalie MacMaster and Bruce Cockburn

Natalie MacMaster and Bruce Cockburn at Summerfolk

By James Keelaghan

You have to understand that there was a full-tilt party going on. The performers’ bar was like a who’s who of Folk Music — Paul Brady, Mary Black, Maura O’Connell, Aly Bain and Garrison Keillor. The volume was indescribable. People were packed in shoulder to shoulder amidst the fug of cigarette smoke and the cracking of plastic pint glasses. Tables were placed in rough concentric circles around the bar.

She was sitting at a table in the outer-most ring, her eyes hidden beneath the peak of a ball cap. In front of her were some textbooks and notebooks. The seats across from her were empty. A guitar player in Lennie Gallant’s band, Chris Corrigan and I sat down opposite her.
“ What are you doing, Natalie ?” I asked.
“ Studying for my exams,” she replied.
“ What? Here?” I asked incredulously.
“ They’re not going to take themselves.”

I ran into Natalie MacMaster a lot that summer. She was riding high. She was getting main stage slots all across the country and in Europe as well. She was clearly on the edge of breaking big, of becoming the new Canadian fiddling icon, yet she was focused enough to keep up with her studies.

The summer after that, in 1996, she made her only appearance at Summerfolk. She’s been away too long and, after 20 years she’ll be returning to Summerfolk41. A lot has changed since that smoky bar in Denmark 21 years ago, but she has never lost her focus. She knows what she wants and is willing to do the hard work necessary to get it.

Natalie MacMaster Photo 1

Natalie MacMaster will play Sunday, August 21.

All that makes her sound rather serious, but she’s not. She has a great sense of humour and is as much fun as you would imagine someone who was raised in the kitchen party atmosphere of Cape Breton should be–as long as you catch her when she isn’t studying.

Consider this: Her uncle was the legendary Buddy MacMaster, her mother and father are both musicians, her cousin is Ashley MacIsaac and another cousin is renowned fiddler, Andrea Beaton. She comes by the music honestly — it’s an integral part of her. When you watch Natalie, you are not watching one person — you are watching generations of players who have all contributed to what she is now. She’s aware of that history, but she wears it easily.

The best thing about of Natalie MacMaster is that she measures success not by ticket sales or CD downloads. Success is time spent with her family, in hard work completed, and the power of music. Natalie is busy, amongst everything else, raising a family of five.

I grew up in a family a little larger than that. Not being blessed with infinite amounts of space, the way the kids were distributed about the house was a complex algorithm of age and gender. As boys, my brother and I were assigned bedrooms in the basement early on. Strange music would waft down from the bedrooms above and some of the tunes would stick. Going to the Country became the soundtrack of my twelfth summer — a tune I sang quietly while watching the prairies roll away through the back window of the Custom Suburban station wagon. So began my relationship with Bruce Cockburn. It’s been ongoing for over 40 years.

Bruce is the embodiment of the Canadian acoustic music scene for the past four decades. He’s never been content to plough one crop and, by turns in his life, he has been a solo acoustic player, an electric player, a bandleader and a social justice advocate. That is the secret to his longevity as a figure on the Canadian cultural scene — the ability to explore new sounds and new approaches to writing.

Bruce Cockburn will play on Saturday, August 20.

Bruce Cockburn will play on Saturday, August 20.

As a songwriter, there is no mistaking his style, sometimes as regular as any Tin Pan Alley pro, sometimes spilling out lyrics in an unrestrained flow where the words tug and push at the margins. As a guitar player, he has inspired a couple of generations of players. Learning to play Foxglove is a rite of passage for most young Canadian guitarists.

He’s not afraid of politics. We’re living in an era where there is pressure on live artists to leave politics out of the performance. Bruce retains a devotion to a folk singer’s responsibility to sing about issues. He has always done so. From songs like Gavin’s Woodpile or Going Down Slow– another station wagon favourite — to the debate-inducing If I Had a Rocket Launcher, he’s never been afraid to put his ethical heart on his sleeve.

Nor, has he left out the spirit. There is often a note of searching in his songs, a longing for the calm at the centre of the human experience.

Despite the fact that he has been part of my life for so long, to me he is still enigmatic. My memories of him backstage at festivals are from a distance, a solitary figure walking and deep in thought. He is soft-spoken and considered. In another age, he might have been a cloistered poet like Gerard Manley Hopkins.

We are especially happy to welcome Bruce Cockburn and Natalie MacMaster back to Summerfolk after too long an absence. Come on out and enjoy them, but don’t bug them if they are studying.

Bruce plays on Saturday, August 20 and Natalie on Sunday, August 21. You can get information and see schedules at summerfolk.org

Irish-Mythen-High-Res--web-crop

Honestly Unforgettable Performers

By James Keelaghan
Sometimes an artist owns a song. Chances are they didn’t write it, but it’s their voice that you hear when you imagine the song being sung. Judy Garland—no one since has owned Over the Rainbow. Arlo Guthrie still has the definitive version of City of New Orleans.

Sometimes, you witness a hand off — that moment when one artist takes possession from the previous owner.

Since Irish Mythen and I share a bit of heritage, I have a confession to make. The first time I actually heard her, rather than just hearing about her, was at last year’s Folk Music Ontario conference. I walked in on the last song of one of her showcases. She ended the set with The Auld Triangle. The song was written by legendary Irish poet/playwright Brendan Behan, though the rumour persists that it was actually written by his brother, Dominic. The song has been owned since the 60s by Luke Kelly, the gravel-voiced singer for the band, The Dubliners. Shane MacGowan, of the Pogues, covered it in the 80s, but never really owned it.

Irish-Mythen-High-Res--web-crop

Irish Mythen

When Irish Mythen started singing it, I did a subconscious eye roll. So many have attempted the song. So many have failed to do it justice. By the second line of the song, however, my hair was on end. By the time she finished, it was clear the song had a new owner. It was like the spirit of Behan and Kelly had descended from the sky and placed their fingers on her.

Irish is a powerhouse. If you combined the output of every generating station in North America, it would still not come close to matching the energy in her voice. It’s a voice built to silence a Dublin pub.

I’ve gone out of my way to see Irish several times since that conference. I have rarely seen a performer more in command of herself or her audience. The darkness of some of the material is tempered by a between-song personality marked by deep humour and a sharp, quick wit.

She is not just a voice. She was named SOCAN’s songwriter of the year in 2015. She has the Irish gift for a turn of phrase. She speaks her mind and the songs can be pointed or poignant as the occasion dictates.

What Irish Mythen has in spades is honesty. It’s the hallmark of all great performers and contrary to the old adage, it can’t be faked. Old Man Luedecke has the same quality, though he and Irish have distinctly different personas.

Music conferences can open a window on a performer’s stagecraft, but they can also let you have a more intimate glimpse of a performer’s personality. I was at the Folk Alliance conference last February in Kansas City. Nice though the hotel was, after a couple of days I had to get out of the conference atmosphere and get some real food. When you are in Kansas City, the real food is barbecue.

Fortunately, not far from the hotel, was the famous Jack Stack restaurant. I was standing in the lobby looking at a map when I saw Chris Luedecke. I asked if he would like to join me, as he had a hungry look about him.

We had a pleasant walk, but when we got to the place, it was jam-packed. The hostess mentioned that there was takeout at the back. That’s how Chris and I ended up eating a mass of burnt ends (you’ll have to trust me) under a bridge beside the railway tracks.

I have rarely had a better meal—it wasn’t just the food, it was the company. Chris is down to earth and although soft spoken, he has an easy humour and is a great conversationalist. You would be hard pressed to pick him out of a crowd, but there is no mistaking him on stage.

Old_Man_Luedecke_Photo1 web edit

Old Man Luedecke

Chris writes about ordinary lives, but does it with extraordinary insight. He captures the everyday with such truth that you can’t help but see yourself in his lyrics. When I listen to an Old Man Luedeke song, my first thought is always, “I wish I’d written that.” I think that not because I am jealous of his writing, but because he is saying the things that I think, but never put into words.

His power is simplicity—a voice, a banjo—mostly—and some lyrics. With that, he creates an entire world. He seems like a modern day Pete Seeger, but where Seeger was earnest, Luedecke is laid back. There are no big issues, just small moments illuminating truth.

His is the kind of music that sneaks up on you. The first time you watch one of his shows, there is a pleasure that washes over you, some laughs, a knowing nod of the head, a hint of a tear. It’s not until a day or two after that you realize you have witnessed something extraordinary. It happens as you find yourself singing lyrics that you have only heard once. It’s the second time you see him that it really hits home. You hang on every note and every perfectly placed word resonates.

Folk music is about truth and honesty. We are pleased to present two of the most honest performers you will ever meet- Irish Mythen and Old Man Luedeke at this year’s Summerfolk Music and Crafts Festival, August 19, 20 and 21st at Kelso Beach Park in Owen Sound. Find out everything you need to know at summerfolk.org.

big tent

Where the music happens

By James Keelaghan

When you talk about folk festivals, music is essential, but really it’s all about the space.

In 1992, I played the Tønder Festival in Denmark for the first time. That festival was a week after the Lunenburg Folk Harbour Festival in Nova Scotia, so rather than go home to Calgary in between, I went directly to Denmark. I hung out in Copenhagen for a few days and then went down to Tønder.Main-Telt-Tonder

It’s a small town — 6,000 people at most, but tens of thousands descend on it for a weekend of music.The town doesn’t have a concert facility for that large a crowd and so, in a square on a field at the edge of town, they set up two circus tents. One holds about 3,500 people and the other 1,500.

After I’d spent half a day seeing everything I could see in the town, I went to the festival office and asked if there was anything I could do to pitch in. They looked at me sideways and then gave me to a guy named Neils. He took me to the bigger of the two tents and I spent a pleasant day tying off the acoustic baffling that would be hoisted into the roof of the tent.

The tent was amazing! It was completely empty with no seating. The stage and sound gear hadn’t been installed. It was just a big canvas shell.Over the next two days, crews transformed it into concert hall. It was beautifully lit, had great sight Main Stage Telt 1lines and a powerful, well run sound system.

Ever since then, I have had my eye on the spaces that music happens in. A well thought-out site with great well-run venues are essential for a successful event.

One of the undoubted stars of Summerfolk last year was the new Down by the Bay tent. Since starting as Artistic Director of Summerfolk, I’ve wanted to bring in some clear span tents. I’ve seen them, and performed in them, at festivals in Europe and Australia but have never encountered them at a Canadian folk festival.

It’s taller and more open than the tent we used for years in that space. That’s because it has no interior poles. The structure of the tent makes it easier to hang lights meaning that we can light the roof of the tent and the stage without bringing in additional scaffolding. The result is a space that inspires and welcomes. It transforms the space into a proper concert hall.

big tent

Looking into the Down By the Bay tent.

I really wanted to have the tent in our licensed area. Veterans of the festival call it the “Beer” tent. We call it the “Down By the Bay” tent because “Beer” tent just doesn’t reflect all that goes on in that space. It’s a place for high-energy music — just ask anyone who danced to Delhi 2 Dublin or The Mackenzie Blues Band last year.

20150823-1073 d2d in beer

Delhi2Dublin inspired a high energy dance party Down By the Bay at Summerfolk40

It allows for incredibly intimate moments as well. Last year’s “Tall Tales” workshop with David Francey, Steve Poltz and Donovan Woods brought the house down. During the songs, you could have heard a pint glass drop, it was so quiet.

20150822-0546 poltz in beer tent

Steve Poltz performs Down By the Bay

On the Saturday of the festival, activity in the tent starts at about 9 AM as the stage crews arrive to ring out the sound system and prep the stage. Music starts at 11AM and runs straight through until until 1AM -– with the exception of a quiet hour between 6 and 7 so the crew can get dinner. Last year, on Saturday, twenty-seven acts played on the stage in fourteen hours.

We’ll do pretty much the same this year. One highlight will be Bruce Cockburn playing an afternoon workshop with Leonard Sumner and Lindi Ortega. On Sunday the tent will host an east coast kitchen party with Natalie McMaster, The East Pointers and Cassie and Maggie Macdonald. On both Friday and Saturday nights, the evenings traditionally end with sets that blow the roof off. This year, Blackburn, Gypsy Kumbia Orchestra and My Son The Hurricane will do the honours.

Down By the Bay has evolved into a second main stage at the festival. This year, by adding another section to the tent, we can have close to a thousand people under cover.

We now have the audience under cover at five of the six daytime stages. That’s not just because we want folks dry in case of rain.

The fact is, recently we have had more sunshine than rain at Summerfolk. In the past four festivals, we have only had one day of rain. The sun is becoming a concern for a lot of people and a shady place to listen to music is a great thing on hot summer afternoon.

We don’t worry about the sun as much at the other mainstage — the Amphitheatre.

Digging Roots led a round dance in the Amphitheatre on Sunday night

Digging Roots led a round dance in the Amphitheatre on Sunday night

That’s because we only run that stage at night. For the first few years of Summerfolk, the area where the amphitheatre is now was just a broad field. The amphitheatre was built in 1982. For 35 years, it’s hosted thousands of performers.

The stage, of course, is named after the late, lamented and much loved Stan Rogers Summerfolk loved Stan and he loved it back, setting the pattern for a relationship many performers have with Summerfolk.

An amphitheatre is not unique. What makes ours special is the backdrop. It’s a combination of sky, water, trees and a hint of the industrial.  It’s easily one of the most beautiful backdrops of any festival in Canada.

You can enjoy our Summerfolk space at Kelso Beach Park on August 19, 20 and 21 this year.Advance tickets are on sale until July 31st and information can be found at summerfolk.org.

Thanks to Karen Kuczeryk-Uyede for the photo

In the Spirit of Camping

If we were going to explain the spirit of Summerfolk in one sentence it would look something like this: “People gathering outside to share music and art”.  Visitors find folks doing just that at every one of the seven stages on the festival site, along the paths in the artisan village, and in the campgrounds beside the festival. You find it again just to the north when volunteers transform a soccer field into a friendly village of tents and trailers where flashlights and torches cast shadows on old and new friends telling stories and sharing songs.  Across the road at the municipal Kelso Beach Campground, festival goers arrange tarps, tents, and trailers into homes away from home complete with sing-a-longs and decades’ worth of Summerfolk stories.

The spirit of Summerfolk follows the people, moving east to the festival grounds in the day and back to the Kelso Beach Campground when the stages shut down. Musicians and music lovers flock like moths, drawn by the light of bonfires and familiar choruses. Generations of festival goers teach each other songs, pass drinks in thanks, and share stories about their favourite performances from the day.  Strangers have been known to pass instruments freely, trade solo’s spontaneously, and send multi-part harmonies drifting up with the smoke towards the stars. There are few places in the world where people who don’t yet know one another’s names can jam and laugh so freely. Sometimes festival performers even drift over with guitars, double basses, and noisemakers from around the world. After all, they’re musicians because they love the music. It’s all part of the spirit that has brought people back to Summerfolk for four decades.

We’re expecting a big crowd for Summerfolk 40 and the City of Owen Sound made 40 additional campsites available at Kelso Beach so that even more campers can share the spirit. If you don’t manage to secure a spot at Kelso Beach, don’t worry. There are other campgrounds in the area. The Harrison Park Campground is only four kilometres to the south (that’s a 7 minute drive or  – if you’re not in a rush and prefer to cycle – a 14 minute ride on your bike. Private camping is also available in the surrounding area at Whispering Pines and the local KOA campground (both good options for motor-homes and trailers).

Thanks to Karen Kuczeryk-Uyede for the photo

Photo Credit: Karen Kuczeryk-Uyede

 

 

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