Aug 17,18,19 tickets

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Sun Times Article 4: Music of Childhood

Every year Artistic Director James Keelaghan writes a series of 12 articles for the Owen Sound Sun Times previewing the Summerfolk Music and Crafts Festival

By James Keelaghan

We didn’t have kid’s music when I was kid. Well, we did sorta, but nothing pleasant happened in it. Cradles fell, babies cried, that sort of thing. You didn’t really want to linger. If my parents wanted to entertain us as kid’s they’d play Harry Belafonte, or lighter adult music. Kid’s music was there to teach us a lesson-don’t put your cradle in a tree and that sort of thing.

 

I was a late comer to children. My first, Tomas was born in 2006, Pato,in 2010. Because of that I wasn’t well acquainted with Fred Penner’s music. Not having children kind of insulates you from the kid’s music scene. It’s like physics lectures, or advanced mathematics. You know it’s there and people are doing it, but it really doesn’t seem to have any effect on your life.

 

Yet, I know Fred fairly well.  I’d see him at music functions in Manitoba and across the country. We’ve spent pleasant hours together in the backstage areas of various festivals. He’s an engaging  story teller. He has that rare ability to make you feel like you are the most important thing in his life while he is talking to you.

 

You know him in a way I never did.

 

I respect him as a musician and entertainer. I managed to do that, and not see a single episode of his TV show. Why would I? I didn’t have kids. In those days I slept late. The show ran in Canada and the US for an amazing 13 years. I missed every one.

 

Most of you are more clued in than me. If you were a kid, a parent or a grandparent from 1985-1997, you knew Fred. I wasn’t surprised that he’s one of the best loved performers that has ever played the festival. We harbour huge reserves of goodwill for the performers of our youth. When we are adults they can evoke some of our strongest memories.

 

He was and is very involved in the community at large and his spirit of involvement and inclusiveness was recognized when he was made a member of the Order of Canada and the Order of Manitoba. His musicianship has been recognized with eight Juno nominations and two Juno Awards, Parents Choice Awards and Prairie Music awards

 

He makes no secret of the fact that he was a bit lost after the TV series ended.  He had a very full schedule, though, as the demand for live shows never really slacked off.

 

Fred had a notion that kids who had seen his TV show wanted to reconnect with him.

Then a strange little thing happened. A promoter at a university wanted to hire him to do a show at the school’s pub. Strange as the thought was, the show sold out in quicker than you can say “the cat came back.” In fact it was oversold. The students kept him there for two and a half hours. College kids, with pints of beer, calling out for Baby Beluga, Take Good Care, Sandwiches and of course, The Cat Came Back.

 

Word got out on the college circuit. When he travels now to do a kids show, he often adds a college show. He’s done universities from PEI to BC. He may, in fact, be busier now than when he had the TV show.

 

Last year Fred to it one step further. He recorded a CD named Hear the Music.The album was produced by long time collaborator Ken Whiteley and recorded in Toronto, where Fred lives with his spouse, voice/acting coach and director Rae Ellen Bodie (whom he married in 2016 and who co-wrote two of the songs on the album). Fred created for the cd to satisfy three generations of his fans and includes guests such as Ron Sexsmith, Terra Lightfoot, Alex Cuba, Basia Bulat, Jackie Richardson, The Good Lovelies, Fred’s four children and a wealth of Canada’s best musicians.

 

I’ll never know what its like to be a kid listening to Fred Penner. I never had the chance. I’ll never have that kid-like experience of hearing The Cat Came Back Fred style, for the first time. I’m really happy that my boys will be had that experience at last time Fred came to Summerfolk.

As for me, it’s never too late to have a happy childhood. I’ll be having mine at Fred’s pub

 

Fred will be playing workshops and a special spotlight children’s concert  at 2PM Saturday August 17 at the Amphitheatre stage during Summerfolk this year.

For more information on all things summerfolk please visit us at www.summerfolk.org

The Summerfolk Music and Crafts Festival happens at Kelso Beach Park in Owen Sound August 17, 18 and 19.

 

Adonis Cuba Car Promo Shot

Sun Times Article 3: From Cuba to Canada

Every year Artistic Director James Keelaghan writes a series of 12 articles for the Owen Sound Sun Times previewing the Summerfolk Music and Crafts Festival

By James Keelaghan

To make my living I have to travel—a lot. While the travelling has some nice moments, it’s not relaxing and it is most assuredly not a vacation. About 10 years ago myself, my wife and my son actually took a vacation. We went to Cuba for a week. I enjoyed the sun, the sand and the general laid back nature of the island, but it was the music that really hooked me. The resort where we stayed, on the Ancon peninsula near Trinidad de Cuba, was far away from the hustle and bustle of Havana or the  non-stop tourism of Varadero. Still, every night there was music at the resort, there was music in town, there was literally music everywhere at all hours.

 

Latin music has a reputation for being sultry and sensual, but Cuban music takes it to the nth degree. I loved it before I went to Cuba, but I was a fanatic by the time I came back.

When the chance came to book Adonis Puentes for this year’s Summerfolk I jumped at it.

 

I mentioned in last week’s article that traditional music is important to me. It’s not just the traditional music of my ancestors, though. Traditional music, in all its forms, is the backbone of what I try to book for Summerfolk. I like music that is aware of its history, even if it plays with it some.

 

We had Adonis’ brother, Alex Cuba, here a few years back. Alex has taken the music of his youth and added contemporary flourishes creating his own Latin pop sound. Adonis Puentes is a traditionalist. They grew up south of Havana in a house that was musically dominated by their father, Valentin, and spiritually by their mother, Maria. By the age of six they were playing guitar, eventually joining their father’s 24 piece travelling guitar ensemble. On days off they found time to jam with some of the greats, among them Ibrahim Ferrar of Buena Vista Social Club fame.

 

Love brought both Alex and Adonis to Canada, and though they recorded their first cd as the Puentes Brothers, they soon branched out on their own. The quality of their early musical education has seen both of them garnering Juno and Grammy nominations for their work, even while they have charted different musical paths.

 

Adonis is firmly in the tradition of the soñero—the lyrical, sometimes improvising, singer in a Salsa band. The songs are pure poetry, but the distinctive Cuban rhythms propel the lyric. It’s almost impossible not to dance once the band starts playing. It’s as if the beat channels the song into your entire body. Even if you can’t speak a word of Spanish, you can hear the joy, the love of life and the passion in his voice.

 

Puentes returns to Cuba often, to touch base and to replenish the creative spark. He feels like he is an ambassador for Cuban music, but can’t really be a proper representative if he is not in touch with the current scene on the Island. There is no doubt that he is a bearer of the tradition—even giants of the genre acknowledge this. He has sung with the likes of Celia Cruz and Ruben Blades. He became lead singer to Los Angeles-based Jose Rizo’s band Mongorama and was thrilled when they earned a Grammy nomination as best tropical Latin album.

 

Another Salsa great, the legendary Oscar Hernandez, director of the Spanish Harlem Orchestra,  arranged three songs and played piano on his Adonis’ cd Sabor a Café. Oscar Hernandez’s piano solos are such a foundational element in Cuban music that they are taught in Cubas music schools.

 

Dicen, Adonis Puentes third solo recording project ,was released in March this year in Victoria, where he makes his home. This time produced by Oscar Hernandez, the recording is destined to become a classic of the genre. It’s  a sophisticated mix of elegant balladry and rumbas as sweet as they are sensual. Hernandez’s keyboard and horn charts are the perfect foundation Puentes’ velvety crooning, punctuating his romantic pleas without challenging them. As performed by his acoustic Voice of Cuba Orchestra (guitar, tres, bass, percussion, piano and trumpet), the music makes for lively performances.

 

Puentes routinely advises audiences to bring their dancing shoes to his shows, and his appearances at Summerfolk will be no exception. We are even arranging for an instructor to teach an afternoon Salas class so you’ll be completely ready to dance the night away.

 

The Summerfolk Music and Crafts Festival happens August 17, 18 and 19 at Kelso Beach Park. Information can be found at www.summerfolk.org. We hope to see you there. Don’t forget your dancing shoes!

 

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