Music’s an almost alchemical force to Canadian Mi’kmaq fiddler and singer Morgan Toney. From the first time he really heard music, sitting on the floor of his uncle’s house transfixed by a DVD of Phil Collins, to 2022 where he’s one of the most in-demand young fiddlers and singers in Atlantic Canada, was nominated for three East Coast Canadian Music Awards, and his debut album, First Flight, is being reissued by Indigenous record label Ishkode Records. In just a short amount of time, Toney’s been able to invigorate both the Atlantic music communities and Mi’kmaq communities by bringing together the fiery fiddling of Cape Breton Island with the old songs of the Mi’kmaq, one song dating back up to 500 years. He calls this fusion Mi’kmaltic (Mi’kmaq + Celtic) and it’s his way of celebrating his language and heritage. He’s honoring the elders who’ve taught him the songs and the language, and he’s taking his place on the front lines of Eastern Canada’s cultural divide. On First Flight, reissued March 25, 2022, Toney sings songs so old that modern Mi’kmaq speakers struggle to understand the lyrics, but he also sings songs meant to reflect the turmoil of our current times, shining a hard light on the racism and violence forced on First Nations populations in Canada today. With family members who were sent to residential schools and had to relearn their language later at home, Toney’s interest in the language is very personal. “Some people don’t understand us,” Toney says. “They don’t understand what we’ve been through, and we need to tell the story.” But never one to focus on the negative, Toney’s goal is to push for positive action and change through music. “We wanted to say something in the way that we know how, through music.”

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